Cleopatra: Julius Caesar, Finnish National Opera

Christina Raphaëlle Haldane was fully committed as Cleopatra …. and she sang fantastically well, from the exquisitely shaped melodic line of ‘Se Pieta’ to the dazzling coloratura of ‘Da Tempeste’.

Opera Magazine

savonSanomatChristina Raphaëlle Haldane was the queen of the stage. Suave and seductive, she portrayed a Cleopatra who got exactly what she wanted. Her world-class soprano voice was brilliant and flute-like — what ease of singing.

Ilmo Pokkinen – Savon Sanomat

Lucinda: Die Hochzeit des Camacho, Royal Liverpool Philharmonic/European Opera Centre

liverpoolPostSoprano Christina Haldane as Lucinda – was dramatic, subtle where she needed to be and a finely developed voice which rose to the considerable demands placed on her.

Liverpool Daily Post

timesThe best of the bunch, Christina Haldane, had sadly little airtime as Quiteria’s pal Lucinda.

Neil Fisher – The Times

Adina: Elisir D’Amore, Musica Viva Hong Kong

chinesePost2 Soprano Christina Haldane’s sparkling bel canto singing impressed … her Adina is vividly portrayed as well as charmingly sung.

Natasha Rogal – South China Morning Post

Marie: La Fille du Régiment, Swansea City Opera

theStageAs Marie, Christina Haldane is as much a constant delight in her skittish characterisation as in the impressive dazzle of her coloratura.

Jon Holliday – The Stage

Vixen: The Cunning Little Vixen, Oundle International Festival

Christina Haldane was Oundle’s Vixen, an engaging performer, not least when ransacking an entire cock and hen roost. … Haldane shone above all in Act 2, in the Vixen’s set-piece emotional outburst, relenting to embrace the overtures of her partner.

Roderic Dunnet – Opera Magazine

Rapunzel: Into the Woods, Royal Opera House

timeOutLogo3Christina Haldane endows Rapunzel’s siren warble with a fittingly operatic excess.

Robert Shore – Time Out

telegraphChristina Raphaëlle Haldane’s Rapunzel warbles away in her tower with tongue–in-cheek operatic excess, making you wonder whether, without Sondheim, Hollywood would ever have got to Shrek.

Dominic Cavendish – The Telegraph

Clorinda: La Cenerentola, Scottish Opera 2007

scotsmanThe stepsisters, Christina Haldane and Katherine Allen, are enjoyable irritants.

Kenneth Walton – The Scotsman

Time Cycle, Indiana University New Music Ensemble

heraldTimesIn Christina Haldane, a recently arrived masters candidate from Canada, Dzubay had the appropriate talent … For soprano Haldane, that meant conquering an obstacle course of acrobatic vocal leaps, of sweeps and dips, of stratospheric warblings and explosive bursts. Haldane triumphed and, in the process, managed to provide sufficient clarity of diction to keep the poetic messages alive.

Peter Jacobi – The Herald–Times Bloomington

New Year’s Eve Viennese Concert, Brighton Philharmonic Orchestra

worthingHeraldCanadian lyric coloratura Christina Haldane was superb in her rendition of favourites from Die Fledermaus and showed just what high standards can be achieved … She did particularly well to match the might of the BPO and is to be especially complimented on her excellent diction.

Chris Francis – Worthing Herald